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DOUBLE DOSE OF MOBY-DICK: San Francisco Opera’s splendid production of Jake Heggie and Gene Scheer’s adaptation of Herman Melville’s “Moby-Dick” is not only going the DVD and Blu-ray route (for release on Tuesday), but it will also be televised on PBS’ “Great Performances” at 9 p.m. Nov. 1 on KQED Ch. 9. The opera, co-commissioned by S.F. Opera, Dallas Opera, San Diego Opera, Calgary Opera and the State Opera of South Australia, starred tenor Jay Hunter Morris as Captain Ahab, Stephen Costello as Greenhorn, Morgan Smith as Starbuck, Jonathan Lemalu as Queequeg and Talise Trevigne as Pip.

Preschool Story Time: 10:30-11 a.m, Wednesdays through May 7, It is for children 3½-5 and features stories and songs, Bilingual Storytime: 1:30-2 p.m, Mondays, April 21-June 2, Kids ages 0-5 can listen to stories and songs in English and Spanish, Toddler Tumble Time: noon-1:15 p.m, Thursdays, April 24-May 22, A five-week playgroup features early literacy toys maison margiela white patent tabi ballet flat and activities for tots ages 1-3½, Registration is required and limited to 25 children, LEGO & Listen: 7 p.m, April 14, Kids ages 6-12 can build with Lego blocks while listening to a recorded book, Registration is required, and space is limited..

What about the rest of us? With a clever idea, couldn’t we all be as wildly successful as Cheng? We decided to make a video and find out. In this latest installment of our series on how technology is redefining our lives, we explore the changing nature of fame through our own quest to go viral, using our homemade video as a touchstone for the broader evolution of celebrity on the Internet today. And it’s not only the Justin Biebers and Ashton Kutchers who have harnessed the power of social media to supercharge their careers. The Internet and tools like Twitter and Instagram have turned scores of nobodies into somebodies. Some had huge talents, others relied on equal amounts of pluck and luck. But they all found cyberfame in ways that would not have been possible 20 years ago.

Yet, all this touring — she played the Coachella music festival the day before coming maison margiela white patent tabi ballet flat to San Francisco — has apparently taken its toll on the singer, She limped through some songs in San Francisco, with her soprano voice sounding more winded than breathy, She was rarely able to match the strength of her studio work, Of course, Goulding’s die-hard fans — lovingly known as “Gould Diggers” — would definitely disagree with that assessment, Although, it’s hard to believe that they could actually hear Goulding’s voice, given that they were so busy adding their own vocals to every single song played..

This year’s program entitled “A Cappella — Our Bodies Sing” features the Oakland Ballet in collaboration with three local a cappella vocal groups. “It’s been an amazing process putting this together,” said Graham Lustig, Oakland Ballet artistic director. “It’s so creative watching the dancers and choreographers try different dance combinations to this very powerful music.”. Lustig utilized his own considerable choreographic skills by pairing with Nona Brown and the Inspirational Music Collective to create “Stone of Hope.” According to Lustig, Dr. Martin Luther King’s “I Had a Dream” speech was the catalyst for his work.